AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Fuzzmeasure windows1/3/2024 One thing I would mention is that although starting the software is simple, the following learning curve is quite steep, and I feel the software would benefit from a tight walkthrough that shows the correct steps in setting up hardware, calibrating to software etc. As you can see, it had a dramatic effect on my room acoustics after only a few hours of work adjusting monitor placement, positioning of bass traps and absorbers, and adjusting listening position in the room. I loved the ease of viewing the different measurements, and overlaying results for comparison. Here is a measurement of my room before and after changing monitor placement and absorption (blue before, pink after)įuzzMeasure is absolutely fantastic software, and more useful than I anticipated. If you can’t use the FuzzMeasure software in a particular place, you can take field recordings of the space, and import it into FuzzMeasure to get the measurements of the place. You can import your own sweep impulses and mic calibration data for the measurement mic you use. (although still not as flat as I’d like!) Notice the resonances on the room modes are a lot less, and the frequency response is a lot flatter. I’m moving the graph around with my mouse in this video. Here’s an overlay of initial and final waterfalls. You can choose between line graph or bar graph, and you can choose and lock graph extents, or just have FuzzMeasure do it automatically. You can also zoom into any of the graphs to check a specific frequency. It showed even more info about the low-end response in my room: I changed the freq range of the waterfall and printed that graph. If you want to change the range of the graph, you do it here. On the right-hand side of the GUI window is a measurements/graph infobox, where you can see the settings for the particular graph. You can keep adding to the measurement the graphs you wish to see. That resonance was messing with my low-end clarity.Īnother measurement that helped was the reverberation (T20), which is one of a handful that conform to ISO standards for acoustic measurements in an enclosed space (3382). But it also showed me some other really useful information, that I hadn’t picked up with my ears: there’s a strong resonance at around 90Hz, shown here as a ridge just to the left of 100Hz. It immediately confirmed what my ears were telling me – there’s a hole in the low mids. Here’s an initial measurement of my room shown as a waterfall graph: This is perhaps the most useful measurement for me when listening in my room. There’s also a measurement blending the two – a beautiful ‘waterfall’ graph, where the Z axis shows the decay time over frequency. The measurements cover both frequency and time domains. Once you’ve made the measurement, you can choose from a further 18 measurements to display in a vertical stream. The GUI is super clean and if you’re a fan of infographics, this’ll float your boat. If the signal’s too hot, or too quiet, the software lets you know and doesn’t take a measurement. A one second sine sweep is picked up by your microphone FuzzMeasure’s algorithms do their dirty work, and a graph pops up a few seconds later. Once you’ve got your gear setup correctly, it’s a simple case of selecting a template suited to your needs, clicking the + button, and starting your measurements. This review is written with the understanding that you’ll have the necessary equipment to create and measure the sound in the room.Įssentially, a decent sound card, preamp, calibration/measurement mic ( here you can find a good range of calibration mics that will do the job), and your monitors.įuzzMeasure is supremely easy to start. To be able to use FuzzMeasure, you need the right equipment. FuzzMeasure is an acoustic measurement tool specifically constructed for Mac computers, so I decided to give it a go see how it worked, and how it helped me in my quest for better room acoustics. I came across FuzzMeasure, created by the award-winning Ontario-based creative studio SuperMegaUltraGroovy. I’ve recently moved studio spaces, and was wanting to discover more about the acoustics in my room, and where/how to treat them. When we’re sitting at our desk trying to mix a tune, however, these errant sound waves can become quite a nuisance. For the most part, our brains use these reflections to judge distance, direction, and a host of other subconscious cues informing of the world around us. Soundwaves are pinging back and forth from all the surfaces around us. Ever curious about how your rooms acoustics are? Are you getting issues in your mix in consistent frequency areas? Do you find the volume of certain notes on the keyboard disproportionately loud or quiet to the neighboring notes?Įvery room on the planet (aside from anechoic chambers) have sonic reflections.
0 Comments
Read More
Leave a Reply. |